The Boy and the Heron Poster, Scene 790

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About the Scene

Kosuke Hayashi painted this background for Hayao Miyazaki's The Boy and the Heron (2023), scene no. 790, under the art direction of Yōji Takeshige. It belongs to the same forest scene as nos. 791 and 799. The forest is dense and slightly uncanny, very different from the naturalistic forest Nizō Yamamoto painted for Princess Mononoke. The painting is also available as a signed Solegraph edition of 25 copies.

Format: 50 × 70 cm (B2)
Print: Offset lithograph
Paper: Magno Volume 200 g/m²
Versions: plain, shipped in a tube, or mounted on a 3 mm aluminium composite panel with our custom made picture hook, delivered flat and ready to hang
Delivery: plain posters ordered by Wednesday 12:00 CET ship on Friday; mounted posters are custom made and take 2 to 3 weeks
Licence: officially licensed by Studio Ghibli

Available with an optional frame in solid oak, with a white mat and clear acrylic glass (50 × 70 cm). The last picture shows the framed poster. Frame details

About the Scene

Kosuke Hayashi painted this background for Hayao Miyazaki's The Boy and the Heron (2023), scene no. 790, under the art direction of Yōji Takeshige. It belongs to the same forest scene as nos. 791 and 799. The forest is dense and slightly uncanny, very different from the naturalistic forest Nizō Yamamoto painted for Princess Mononoke. The painting is also available as a signed Solegraph edition of 25 copies.

Format: 50 × 70 cm (B2)
Print: Offset lithograph
Paper: Magno Volume 200 g/m²
Versions: plain, shipped in a tube, or mounted on a 3 mm aluminium composite panel with our custom made picture hook, delivered flat and ready to hang
Delivery: plain posters ordered by Wednesday 12:00 CET ship on Friday; mounted posters are custom made and take 2 to 3 weeks
Licence: officially licensed by Studio Ghibli

Available with an optional frame in solid oak, with a white mat and clear acrylic glass (50 × 70 cm). The last picture shows the framed poster. Frame details

About the Artist

Kosuke Hayashi (born 1984 in Toyama) is one of the defining voices of a new generation of artists who are reshaping the background art of Japanese animation. He studied traditional Japanese painting (Nihonga) at the University of Tsukuba and works at Studio Ghibli. As art director he gave Giovanni's Island (2014), In This Corner of the World (2016) and The Imaginary (2023) their visual language. In 2025 he received the Nippon Rising Star Award at Nippon Connection in Frankfurt, and Riekeles Gallery presented his first solo exhibition outside Japan.

Hayashi paints with brush and poster colour on paper. While almost the entire industry has moved to digital workflows, his work is a resolute return to the material essence of the image. He stands for a generation of artists, both young and established, who have kept their joy in this medium. His signature is recognizable in his film work as well as in his personal paintings, where he pursues a visual poetry away from the constraints of production.

More about Kosuke Hayashi
All Studio Ghibli art prints