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Artists
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Kosuke Hayashi
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Shop AKIRA, cut no. 955, solegraph
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AKIRA, cut no. 955, solegraph

€980.00
Only 5 left in stock

Artist: Hiroshi Ohno
Edition of 25 copies, numbered, signed by the artist
Solegraph (high-grade fine-art print)
Paper: Radiant White 270 g/m²
Format: 50 × 70 cm
Artwork: 29.5 × 43.5 cm

Please inquire for framing options.

Quantity:
Add To Cart

Artist: Hiroshi Ohno
Edition of 25 copies, numbered, signed by the artist
Solegraph (high-grade fine-art print)
Paper: Radiant White 270 g/m²
Format: 50 × 70 cm
Artwork: 29.5 × 43.5 cm

Please inquire for framing options.

Frame, 50 × 70 cm, Oak Wood, Clear Acrylic
Frame, 50 × 70 cm, Oak Wood, Clear Acrylic
€220.00

Artist: Hiroshi Ohno
Edition of 25 copies, numbered, signed by the artist
Solegraph (high-grade fine-art print)
Paper: Radiant White 270 g/m²
Format: 50 × 70 cm
Artwork: 29.5 × 43.5 cm

Please inquire for framing options.

 
 

In its monolithic appearance, this building, the high security research centre of the army, is unique in the fictional city of Neo Tokyo. The blunt structural simplicity, sheer mass, scale and power are symbolic of the prevailing order. Its size in relation to the surrounding architecture and the flared plinth convey the impression of immovability and inviolability.
The pyramid-like pod at the bottom of the high-rise resembles the headquarters of Tyrell Corporation, the android manufacturer's headquarters in Blade Runner (1982). The large number of windows suggests that the building appears to be much bigger than current high-rise structures.

 

For the art department the most difficult part of this production was to depict the vastness and complexity of the cityscape. In order to achieve a sense of depth in the cityscape the illustrators would begin with 3 mm windows in the foreground, the buildings in the middle ground would have 1/2 mm windows, and the windows of the buildings in the background could be represented only by a dot or a line.

 
 Hiroshi Ohno integrated an astonishing depth of detail into this piece. This tiny section at the top of the pyramid-like pod includes a whole industrial landscape.

Hiroshi Ohno integrated an astonishing depth of detail into this piece. This tiny section at the top of the pyramid-like pod includes a whole industrial landscape.

 This section looks almost like the background of the following cut (no. 956) although painted on a miniature scale.

This section looks almost like the background of the following cut (no. 956) although painted on a miniature scale.

 The buildings are rendered in great detail even in the very back of the scene.

The buildings are rendered in great detail even in the very back of the scene.

 
 

The original artwork consists of two layers, called a “book”. Hiroshi Ohno painted both layers with poster color on paper. The top element was then cut out and mounted on a cel (transparent foil). The independent movement of both layers in front of the animation camera allows to create a parallax effect which simulates a sense of depth in the picture.

 
 
 

Approach to the structure had been realised by three crossfaded production backgrounds, this cut being the middle one.

Stefan Riekeles explains the background artwork for this sequence.

 
 
 
 
 
 
 

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